well boy howdy
Eva: Yeah, in both threads. Jana tsuntsun strong.
Basically considers Eva to be an incompetent "revolutionary" (to the point she refers to her as such to characters like Kale and Crofte when reporting to them), but a dangerous loose cannon when she gets her hands on things like Dragon artifacts. Her orders aside, Jana tries to keep an eye on Eva because she still doesn't trust her to keep an eye on herself.
Askier and Delial: Jana doesn't trust them because they both happen to be around when bad things happen. It can hardly be called a "personal" dispute if she's just trying to push blame onto them because she can. Of course, there are plenty of other reasons to distrust them, but they're not really taken into account by Jana.
Jameson: She barely knows him but in Jana's eyes, Taeros is just another burden Crofte has to deal with, one she can't help shoulder.
Crows: She hardly hears of them anymore but knows they're around, somewhere. (Re-)Kill-on-sight.
Nero: Not that Jana actually knows his name or who he really is. "Redgrave" is just a good focus point for her pent up anger and unresolved tension over Natalie's death.
Eva: Yeah, in both threads. Jana tsuntsun strong.
Basically considers Eva to be an incompetent "revolutionary" (to the point she refers to her as such to characters like Kale and Crofte when reporting to them), but a dangerous loose cannon when she gets her hands on things like Dragon artifacts. Her orders aside, Jana tries to keep an eye on Eva because she still doesn't trust her to keep an eye on herself.
Askier and Delial: Jana doesn't trust them because they both happen to be around when bad things happen. It can hardly be called a "personal" dispute if she's just trying to push blame onto them because she can. Of course, there are plenty of other reasons to distrust them, but they're not really taken into account by Jana.
Jameson: She barely knows him but in Jana's eyes, Taeros is just another burden Crofte has to deal with, one she can't help shoulder.
Crows: She hardly hears of them anymore but knows they're around, somewhere. (Re-)Kill-on-sight.
Nero: Not that Jana actually knows his name or who he really is. "Redgrave" is just a good focus point for her pent up anger and unresolved tension over Natalie's death.
