I'm not bothered by logical inconsistencies such as those so much. What matters is spectacle. However, I don't like it when you can clearly discern writer fiat in the story. For instance, in a romance, the audience comes to empathize with suitor b instead of a, which is clearly not the writer's intention, so to "force" viewers to come around to their tastes, they sabotage b with the sudden revelation that they were a jerk all a long, or go out of character long enough to sabotage their likeability permanently.Â
In other cases, the author creates a charcter as a straw man of a philosophy or belief they dislike, and is appalled when the audience dares to like said character, and kills them off or dramatically restructures their behavior to cast them in a bad light.
In other cases, the author creates a charcter as a straw man of a philosophy or belief they dislike, and is appalled when the audience dares to like said character, and kills them off or dramatically restructures their behavior to cast them in a bad light.
ã€Œè’¼æ°—ç ²ã€ã‚’使ã‚ã–ã‚‹ã‚’å¾—ãªã„!
AV by Kura-Ou
Wiki (Last updated 01/16)
My Balmung profile.
AV by Kura-Ou
Wiki (Last updated 01/16)
My Balmung profile.
