Death isn't quite the same as killing. Qhora lost a lot of people to death before she started killing people.
- How does your character deal with killing?
These days, it's no more exciting or provocative than handing in a homework assignment - either simple apathy or a minor sense of accomplishment. It's just something she does. Whether it's in the field as an adventurer or on a mission for unsavory clients, it usually doesn't affect her much. Depending on the particular situation, though, she can get downright gleefully sadistic.
- How did your character feel after his/her first kill?
Of an animal? She probably did dwell on it, but came to terms with it in a sort of 'this is how we eat' way. Of a person? It was devastating. It haunts her every second, awake and dreaming. But that had everything to do with who the person was, and less to do with the actual act. It was the combination of the two qualities that was massively destructive to her continued sanity.
- Does your character mull over it later on? (Exe. The nightmares)
While there was a self-defense element that gives justification, she constantly considers how she could have avoided ending up in that situation in the first place. And its repercussions for her life shattered her identity. She's still having trouble deciding who she wants to be, and for her it resulted in an apathetic amorality behind a mask of smirking professionalism.
- How does your character deal with killing?
These days, it's no more exciting or provocative than handing in a homework assignment - either simple apathy or a minor sense of accomplishment. It's just something she does. Whether it's in the field as an adventurer or on a mission for unsavory clients, it usually doesn't affect her much. Depending on the particular situation, though, she can get downright gleefully sadistic.
- How did your character feel after his/her first kill?
Of an animal? She probably did dwell on it, but came to terms with it in a sort of 'this is how we eat' way. Of a person? It was devastating. It haunts her every second, awake and dreaming. But that had everything to do with who the person was, and less to do with the actual act. It was the combination of the two qualities that was massively destructive to her continued sanity.
- Does your character mull over it later on? (Exe. The nightmares)
While there was a self-defense element that gives justification, she constantly considers how she could have avoided ending up in that situation in the first place. And its repercussions for her life shattered her identity. She's still having trouble deciding who she wants to be, and for her it resulted in an apathetic amorality behind a mask of smirking professionalism.